Fissures in Time was commissioned by the Australian Centre of Photography for the exhibition Under the Sun: Reimagining Max Dupain's Sunbaker.
Fissures in Time 1-4, 2017
Framed Inkjet Pigment Prints
91cm x 123.98cm
https://acp.org.au/blogs/travelling-exhibitions/under-the-sun-reimagining-max-dupains-sunbaker
Mappings of place
2015
Inkjet Pigment Prints
55 X 80cm
Punctures
2015-2016
hand pierced Type-C Photographic prints, clear acrylic frames and stainless steel bracket
Installation view ‘Cutting Edge’ Monash Gallery of Art
She carries it all like a map on her skin
2005-2006
Type-C photograph face mounted on Perspex
80 x 52.5cm
Fluid
"For the series Aurelian I investigated history, museological collections and the Victorian landscape to piece together an evolving continuum of erasure, recovery, loss and memory. Informed through spending extensive time researching the entomology collection at Museums Victoria, studying now extinct and endangered species of butterflies and moths. I then travelled to the sites of extinction and collected soil samples which she used to create painterly backgrounds or environments on which to photograph the butterfly specimens."
2012-14
Framed Inkjet Pigment Prints
66cm x 82cm
http://yarracityarts.com.au/event/aurelian-peta-clancy/
The Body is a Big Place was a long-term collaborative project with Helen Pynor.
